Working Bibliography
Shakespeare's Shrieking Harbinger: The Phoenix and the Turtle, the First Folio, and the Shapes of Time.
Clifford Stetner
CUNY
 

 
A / B / C / D / E / F / G / H / I / J / K / L / M / N / O / P / Q / R / S / T / U / V / W / X / Y / Z / ?
 


Ackerman, Robert, The Myth and Ritual School: J. G. Frazer and The Cambridge Ritualists. New York: Garland, 1991. (Theorists of myth ; vol. 2) (Garland reference library of the humanities ; vol. 1282).

 

Aers, David. Chaucer, Langland and the Creative Imagination. London: Routledge. Ch6 Chaucer: Love, Sex and Marriage (143-173).

 

Alcorn, M. Jr. Narcissism and the Literary Libido: Rhetoric, Text, and Subjectivity. New York: NYUP, 1994. 

 

Alexander, Peter. “‘Troilus and Cressida,’ 1609.” Library 9 (1928-29) 267- 286.

Allen, Don Cameron. Mysteriously Meant: the Rediscovery of Pagan Symbolism and Allegorical Interpretation in the Renaissance. Baltimore: Johns Hopkins P, 1970. 

 

Allen, Michael J. B., comp. Sources and Analogues of Old English Poetry: the Major Latin Texts in TranslationTrans. Michael J. B. Allen and Daniel G. Calder. Imprint Cambridge Eng. : D. S. Brewer ; Totowa, N.J. : Rowman and Littlefield, 1976.

 

 

Althusser, Louis. "Contradiction and Overdetermination" For Marx. Part III: "Notes for an Investigation." Trans. Ben Brewster. New York: Penguin, 1962.

 

Anderson, William. Green Man: the Archetype of our Oneness with the Earth. London: HarperCollins, 1990.

Anon. (Tragoedia der) bestrafte Brudermord oder Prinz Hamlet aus Dannemark. Der Bestrafte Brudermord (Fratricide Punished). Trans…Berlin 1781. Variorum Hamlet. Ed. Horace Furness. Phila.: Lippincott, 1877.

 

Anon. [Cloud of Unknowing author]. trans. Denis Hid Divinity.

 

Anon. The Hystorie of Hamblet. Trans. [from Belleforest] Imprinted by Richard Bradocke, for Thomas Pauier, and are to be sold at his shop in Corne-hill, neere to the Royall Exchange. London: 1608.

 

Anon. “The Play of the Sacrament.” Chief Pre-Shakespearean Dramas. ? (243-262). 

 

Anon. A Pleasant Conceited History Called the Taming of A Shrew. As it was sundry times acted by the Right Honorable The Earl of Pembroke His Servants. Keypunched Huntington Library, June 1971.

 


Anon. Secreta Secretorum: Three Prose Versions. Ed. Robert Steele. EETS Extra series: 74. London: Kegan Paul, 1898.

 

Anon. The tragedye of Solyman and Perseda Wherein is laide open, loues constancy, fortunes inconstancy, and deaths triumphs. At London : Printed by Edward Allde for Edward White, and are to be solde at the little North doore of Paules Church, at the signe of the Gun. Sometimes attributed to Thomas Kyd (1592) A-H4 I2.

 

 

Aquinas, St. Thomas. "On the Principles of Nature." 

 

Aries, Philippe. Centuries of Childhood: a Social History of Family Life. Trans. Robert Baldick. NY: Vintage, 1962. intro (9-11); Conclusions: The Two Concepts of Childhood (128-133); School and the Duration of Childhood (329-336); The Family and Sociability (405-407); Conclusion (411-413); notes. 

 

Aristotle. Poetics XI.

 

Arkins, Brian. “Heavy Seneca: his Influence on Shakespeare's Tragedies.” Classics Ireland 2  (1995) 1-8.

 

Armstrong, A. H. ed. The Cambridge History of Later Greek and Early Medieval Philosophy.  

 

Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Trans. Willard R. Trask. Princeton: Princeton UP, 1953.

 

 

Attridge, Derek, et. al. Post-structuralism and the Question of History. (1987) Cambridge: Cambridge UP, 1991. 

 

Augustine. City of God. Ed. Vernon J. Bourke? New York?: Image, 1958.

Bacon, Francis. New Atlantis. 1627.

 

Bacon, Roger. “Despair over Thirteenth Century Learning.” Life in the Middle Ages. Vol 2, Ed. C.G. Coulton, [Modernized by Medieval Sourcebook], New York: Macmillan (1910) 55-62.

 

 

Bahti, Timothy. “Auerbach's Mimesis: Figural Structure and Historical Narrative” in Jay and Miller, 124-145.

 

Baker, Herschel. Intro. 1 and 2 Henry IV by William Shakespeare. Riverside Shakespeare (842-846).

 

Bakhtin, Mikhail. Rabelais and his World. Prol. Michael Holquist. First Midland Book, 1984.

Baldwin, Anna and Sara Hutton, eds. Platonism and the English Imagination. New York: Cambridge UP, 1994. ch4 Janet Bately. “Boethius and King Alfred: Boethius/ Alfred’s Boethius” (38-44); ch6 Louth, Andrew. “Platonism in the Middle English Mystics.” (52-64); ch7 Sarah Hutton. “Introduction to the Renaissance and Seventeenth Century.” ch 12 Thomas Bulger. “Platonism in Spenser’s Mutabilitie Cantos.” (126-137). ch13 Dominic Scott. “Reason, Recollection and the Cambridge Platonists”  (140-150).

 

Bale, John. A Brief Chronicle concerning the Examination and Death of. . . Sir John Oldcastle. Antwerp, 1544.

 

Barber C. L. and Richard P. Wheeler. The Whole Journey: Shakespeare’s Power of Development. Berkeley: U of Cal P. ch. 6 Shakespeare in his Sonnets (158-197).

 

Barker, Francis. “Hamlet’s Unfulfilled Interiority.” New Historicism in Renaissance Drama? Ed. ? ch. 9 (157-166).

 

Barker, Francis. “Which Dead? Hamlet and the Ends of History.” Uses of History. Eds. Barker, et. al. New York: St. Martin’s, 1991. 47-75.

 

 

Barthes, Roland. “Death of the Author.” Image-Music-Text, London: Fontana Press, 1977.

 

Barthes, Roland. “What is Criticism?” 1964. Davis and Schleifer 46-50.

 

Barthes, Roland. Elements of Semiology. 1964. Trans. Annette Lavers and Colin Smith. New York: Hill and Wang, 1968.

 

Barthes, Roland. S/Z: an Essay. 1970. Trans. Richard Miller. New York: Hill and Wang, 1974.

 

Barthes, Roland. Text: Essays Selected and Translated by Stephen Heath. NY: Hill & Wang, 1973.

Bately, Janet. “The Nature of Old English Prose.” in Baldwin and Hutton (39-45).

 

Baudelaire, Charles. The Essence of Laughter and other Essays, Letters, and Journals. Ed. Peter Quennell. New York: Meridian, 1956. The Essence of Laughter and More, especially of the Comic in Plastic Arts (107-130).

 

Bednarz, James E. Representing Jonson: Histriomastix and the Origin of the Poets' War. Huntington Library Quarterly

Beier, A. L. Masterless Men: The Vagrancy Problem in England 1560-1640. London: Methuen, 1985.

 

Bennett, Joan S. Reviving Liberty: Radical Christian Humanism in Milton’s Great Poems. London: Harvard UP, 1989.

 

Bennett, Michael J. ch1 in see Strohm. “The Court of Richard II and the Promotion of Literature” (3-19).

 

Benson, Larry D., ed. Riverside Chaucer. Boston: Houghton/Mifflin, 1987.

 

Benveniste, E. “The Nature of the Linguistic Sign” ch 4 Acti Linguistica I (Copenhagen, 1939): 13 a9 (43-48).

 

Bergeron, David M. "Shakespeare Makes History: 2 Henry IV." SEL, Spring 1991, 31:2 (231-46).

 

Bergson, Henri. Laughter: an Essay on the Meaning of the Comic. Trans. Cloudesley Brereton and Fred Rothwell. Ed. Steve Harris and Charles Franks. Project Gutenberg.

 

Berman, Morris. The Reenchantment of the World. Ithaca: Cornell UP, 1981.

 

Berry, Philippa. “Reversing History: Time, Fortune and the Doubling of Sovereignty in Macbeth. EJES 1:3 (1997) 367-87.

 

Bieman, E. William Shakespeare: The Romances.  Boston: Hall, 1990. ch.4 ‘By law and process of great nature….freed’: The Winter's Tale: The Role of Autolycus (66-89).

 

Blackman, A. M. et. al. Myth and Ritual: Essays on the Myth and Ritual of the Hebrews in Relation to the Culture Pattern of the Ancient East. Ed. by S.H. Hooke ; with a foreword by D.C. Simpson. London ;  New York :  Oxford UP,  1933.

 

Blake, N. F. “The Form of The Phoenix.” Old English Literature. Martin Stevens and Jerome Mandel. Eds. Lincoln: U of Nebraska, 1968. The Form of the Phoenix (268-276).

Blanpied, John W. Time and the Artist in Shakespeare's English Histories. Newark: U of Delaware P, 1983.
 

 

Blundeville, Thomas. The True Order and Methode of Wryting and Reading of Hystories. (1574). Ed. Hans Peter Heinrich. Frankfurt: Lang, 1986.
 

 

Boethius. Consolation of Philosophy.
 

 

Bohannan, Paul. “Concepts of Time among the Tiv of Nigeria.”Myth And Cosmos: Readings In Mythology And Symbolism. Ed. John Middleton. American Museum Sourcebooks In Anthropology. Garden City, NY: Natural History P (1967) 315-329.
 

 

Bolla, Pierre de. Harold Bloom: Towards Historical Rhetorics. London: Routledge, 1988.
 

 
Bond, R. “Supplantation in the Elizabethan Court: The Theme of Spenser’s February Eclogue.” in Spenser Studies II. P. Cullen and T. Roche, eds. Pittsburgh: U of Pittsburgh P. 1981, 55-66.
 
 

Bourdieu, Pierre. Language and Symbolic Power. Ed. John B. Thompson. Trans. Gino Raymond and Matthew Adamson. Cambridge: Harvard UP, 1991.
 

 

Bowie, A. M. Aristophanes: Myth, Ritual, and Comedy. Cambridge; New York: Cambridge UP, 1996.
 

 

Bowman, Mary R. "Review of Kenneth Borris, Allegory and Epic in English Renaissance Literature." EMLS 7.2 (September, 2001): 9.1-7 <http://purl.oclc.org/emls/07-2/bowrev.htm>.

 

Bradley, A. C. “Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth.” ?
 

 

Bradley, S.A.J., ed. Anglo-Saxon Poetry. London: Dent, 1982.
 

 

 

Brady, Jennifer “‘Noe fault, but Life’: Jonson’s Folio as Monument and Barrier" in Brady and Herendeen (192-216).

 

 

Brady, Jennifer and W. H. Herendeen. Ben Jonson’s 1616 Folio. Newark: U of Del. P, 1991.
 

 

Brandon, S. G. F., “The Myth And Ritual Position Critically Considered.”  in Hooke 260.
 

 

Breisach, Ernest. Historiography: Ancient, Medieval, and Modern. 1983. Chicago: U of Chicago P, 1994.
 

 

Brockett, Oscar G. History of the Theatre. Second Ed. Boston: Allyn and Bacon, 1974.

 

Brody, Alan. The English Mummers and Their Plays: Traces of Ancient Mystery. Phila: U Penn P, 1970.

 

Brooks, Cleanth. The Well Wrought Urn: Studies in the Structure of Poetry. New York: Harvest, 1947.
 

 

Brooks, Douglas A. “Sir John Oldcastle and the Construction of Shakespeare's Authorship.” SEL 38:2 (1998) 333-361.
 

 

Brown, Sylvia. "'Over Her Dead Body': Feminism, Post­structuralism, and the Mother's Legacy." Discontinuities: New Essays on Renaissance Literature and Criticism. Ed. Viviana Comensoli and Paul Stevens. Toronto: U of Toronto P, 1998. 3-26.
 

 

Brunning, Alizon. "'In his gold I shine': Jacobean Comedy and the art of the mediating trickster." Early Modern Literary Studies 8.2 (September, 2002): 3.1-25 <URL: http://purl.oclc.org/emls/08-2/brungold.htm>.

 

Bruno, Giordano. (1585) The Heroic Frenzies. Trans.Paulo Eugene Memmo, Jr. Twilit Grotto? 1964.

 

Bruster, Douglas. Drama and the Market in the Age of Shakespeare. Cambridge: Cambridge UP, 1992.
 

 

Buber, Martin. I and Thou. New York: Scribner. 1958.
 

 

Buck-Horss. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute. NY: Free Press, 1977. ch 8 Theory and Art: in Search of a Model: The Aesthetic Experience/ Surrealism as Model: the Experience of Hashish/ Criticism of Surrealism: Atonality as Model/ The Aesthetic Model and its Limits (122-135).
 

 

Bulger, Thomas. “Platonism in Spenser’s Mutabilitie Cantos.”  in Baldwin and Hutton (126-137).
 

 

Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare. London: Routledge, 1978.
 

 

Burger, G. “Kissing the Pardoner.”
 

 

Burgess, R. Platonism in Desportes. Chapel Hill: U of N Carolina P. 1954.
 

 

Burke, Kenneth. Attitudes toward History. New York: Beacon, 1961.
 

 

Burke, Peter. Popular Culture in Early Modern Europe. New York: NYU P, 1978.
 

 

Burke, Peter. The Renaissance Sense of the Past. London: Arnold, 1969.
 

 

Burkert, Walter, Savage Energies :  Lessons of Myth and Ritual in Ancient Greece. Trans. Peter Bing. Wilder Ursprung. English. Chicago: U of Chicago P, 2001.
 

 

Burkert, Walter. Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth. Trans. Peter Bing. Berkeley : U of California P, 1983.
 

Burkert, Walter. Structure and History in Greek Mythology. Berkeley: U California P, 1979.

 

 

Burtt, E. A. The Metaphysical Foundations of Modern Science. Garden City, NY: Doubleday, 1954.
 

 

Burt, Richard, ed. The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere. Minneapolis: U of Minnesota P, 1994.
 

 

Burwick, Frederick, and Walter Pape, eds. Aesthetic Illusion: Theoretical and Historical Approaches. Berlin: de Gruyter, 1990.
 

 

Butler, Judith. The Psychic Life of Power: Theories in Subjection. Stanford: Stanford UP, 1997.
 

 

Butler, Judith. ? ch2 “Sovereign Performatives” (72-102).
 

 

Butterfield, Herbert.  The Whig Interpretation of History. 1931. New York: Norton, 1965.

 

Calder, Daniel G. and Michael Allen, eds. Sources and Analogues of Old English Poetry: Major Latin Texts in Translation. Cambridge: Brewer, 1976. 

 

Campbell, Lily B. Shakespeare's Histories: Mirrors of Elizabethan Policy. San Marino: Huntington Lib., 1947.
 

 
Campenhausen, Hans, Freiherr von. The Fathers of the Latin Church. Trans. by Manfred Hoffman. Stanford: Stanford UP, 1969.

 

 

Carr, Joan. “Cymbeline and the Validity of Myth.” SP 75:3 (1978) 316-330.
 

 

Carrasco, David. Religions of Mesoamerica: Cosmovision and Ceremonial Centers. San Francisco: Harper, 1990.

 

 

Carrick, J. C. Wycliffe and the Lollards. NY: Scribner, 1908.
 

 
 

Cassirer, Ernst. The Individual and the Cosmos in Renaissance Philosophy. Trans. Mario Domandi. Phila: U of Penn P, 1963.
 

 

Cassirer, Ernst. The Platonic Renaissance in England. Trans. James Pettegrove. Austin: U of Texas P, 1953.
 

 

Cavanagh, Dermot. “The Language of Treason in Richard II.”Shakespeare Studies 27 (1999) 134-161.

 

 

Certeau, Michel de. The Writing of History. New York: Columbia UP, 1988.
 

 

Chadwick, Nora. The Celts. New York: Penguin, 1976.
 

 

Chambers, E. K. The Mediaeval Stage. London: Oxford UP, 1903.
 

 

Chambers, R., ed. Chambers’s Book of Days: a Miscellany of Popular Antiquities in Connection with the Calendar Including Anecdote, Biography and History, Curiosities of Literature and Oddities of Human Life and Character. 2 vols. 1879 Philadelphia: Lippincott, 1967.
 

 

Champion, Larry S. Perspectives in Shakespeare's English Histories. Athens: U of Georgia P, 1980.
 

 

Charnes, Linda. “Dismember Me: Shakespeare, Paranoia, and the Logic of Mass Culture.” SQ ? (1-16).
 

 

Charnes, Linda. Notorious Identity: Materializing the Subject in Shakespeare. Cambridge: Harvard UP, 1993.
 

 

Chartier, Roger. The Cultural Uses of Print in Early Modern France. Trans. Lydia G. Cochran. Princeton: Princeton UP, 1985.
 

 

Cheney, C.R., ed. Handbook of Dates for Students of English History. London: Royal Historical Society, 1991.
 

 

Chester, Robert. Loves Martyr. or, Rosalins complaint. (1601) with its supplement, “Diverse poeticall essaies on the turtle and phoenix. by Shakspere, Ben Jonson, George Chapman, John Marston, [etc.].” Ed. with intro, notes and illus. by Alexander B. Grosart, 1878.
 

 

Christensson, Bjorn. Guide to Philosophy. Scholasticism. Medieval Sourcebook. Paul Halsall 1996.
 

 

Clark, David L. "'The Necessary Heritage of Darkness': Tropics of Negativity in Schelling, Derrida, and de Man." Intersections: Nineteenth-Century Philosophy and Contemporary Theory. Ed. Tilottama Rajan and Clark. Albany: State U of New York P, 1995. 79-146.
 

 

Clark, Michael P., ed. Revenge of the Aesthetic: The Place of Literature in Theory Today. Berkeley: U of California P, 2000.
 

 

Clinton, Henry Fynes, 1781-1852.:  Fasti Hellenici. New York : B. Franklin, [1965?].
 

 

Clinton, Henry Fynes, 1781-1852.:  Fasti Romani. New York: B. Franklin [1965?].
 

 

Cloud author. The Cloud of Unknowing. Ch 17-end. 4rh
 

 

Cohen, Sande. Passive Nihilism: Cultural Historiography and the Rhetorics of Scholarship. New York: St. Martin's, 1998.
 

 

Colebrook, Claire. New Literary Histories: New Historicism and Contemporary Criticism. Manchester: Manchester UP, 1997.
 

 

Coleridge, Samuel Taylor. “Coleridge on Shakespeare; the Text of the Lectures of 1811-12.”
 

 

Collingwood, R. G. Idea of HistoryEd. Jan van der Dussen. Oxford: Clarendon, 1993.
 

 
Comper, F. The Life of Richard Rolle. New York: Barnes & Noble, 1928. ch6 Of Richard’s Mystical Experiences and how he Attains to the High Love of Christ which Stands in Heat, Song and Sweetness. (78-97).
 
 
Connerton, Paul. How Societies Remember. Cambridge: Cambridge UP, 1989.
 
 
 
Cook, Arthur Bernard. Zeus: A Study in Ancient Religion. Cambridge: Cambridge UP, 1914.
 
 
Cook, Albert Stanburrough. The Old English Elene, Phoenix, and Physiologus. New Haven: Yale, 1919.
 
 
Cooper, Thomas. Cooper's Chronicle, . . . from the Beginning of King Henry the Eighth's Reign unto the Late Death of Queen Mary. London: Thomas Berthelet, 1560.
 
 

Copjec, Joan. Read My Desire: Lacan against the Historicists. Cambridge: MIT P, 1994.
 

 
 

Cornford, F. M. The Origin of Attic Comedy. Ed. T. H. Gaster. Intro Jeffrey Henderson. Ann Arbor: U of MI P, 1993.

 

 

Cornford, F. M. “The Origin of the Olympic Games.” Harrison 212-59.
 

 

Coulter, J. The Literary Microcosm: Theories of Interpretation of the Later Neoplatonists. Leiden: E J Brill, 1976.
 

 

Cox, Lee Sheridan. “The Role of Autolycus in The Winter’s Tale.” SEL 9 (1969): 283-302.
 

 

Crumley, J. Clinton. "Questioning History in Cymbeline." SEL 41:2 (Spring 2001): 297.
 

 

Cullen, P. and T. Roche, eds. Spenser Studies II. Pittsburgh: U of Pittsburgh P, 1981.
 

 

Culler, Jonathan. On Deconstruction: Theory and Criticism after Structuralism. Ithaca: Cornell UP, 1982. Deconstruction 2. Meaning and Iterability (110-135); ch3 Deconstructive Criticism (227-281).
 

 

Culler, Jonathan. The Pursuit of Signs. Ithaca: Cornell UP, 1981. ch5 Presupposition and Intertextuality (100-118).
 

 

 

Cunningham, J.V. Tradition and Poetic Structure. Denver: Alan Swallow, 1960.
 

 

Curtius, E. R. European Literature and the Latin Middle Ages. Princeton: Princeton UP, 1953.

 

 

Daigle, Lennet. “Venus and Adonis: Some Traditional Contexts.” Ch? in ? (31-46) bib.
 

 

Davidson, H.R. Ellis. Gods and Myths of Northern Europe. New York: Penguin, 1982.
 

 

Da Vinci, Leonardo. On Painting: an Anthology of Writings by Leonardo da Vinci with a Selection of Documents Relating to his Career as an Artist. Ed. Martin Kemp. New Haven: Yale UP, 1989. The Eye and Light (50-115).

 

Danson, Lawrence. "Henry V: King, Chorus, and Critics." ShQ 31 (1983): 27-43.
 

 

Davis, Robert Con and Ronald Schleifer, eds. Contemporary Literary Criticism: Literary and Cultural Studies. 3rd ed. White Plains: Longman, 1994.
 

 

Dean, Leonard F. Tudor Theories of History Writing. Ann Arbor: U of Michigan P, 1947.
 

 

De Grazia, Margret. Shakespeare Verbatim: the Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon, 1991. ch4 Individuating Shakespeare’s Experience: Biology, Chronology, and the Sonnets (132-176).
 

 

De Grazia, Margreta and Peter Stallybrass. “The Materiality of the Shakespearean Text.” Shakespeare Quarterly 44:3 (1993) 255-283. Work/Word/Character/Author.
 

 

Delany, Sheila. “Sexual Economics, Chaucer’s Wife of Bath and The Book of Margery Kempe.” Feminist Readings in Middle English Literature: the Wife of Bath and her Sect. Ed. Ruth Evans and Lesley Johnson. London: Routledge. Ch 4 (72-87).
 

 

Delany, Sheila. Writing Woman: Women Writers and Women in Literature, Medieval to Modern. New York: Shocken, 1983.


 

 

Deleuze, Gilles. Nietzsche and PhilosophyTrans. Hugh Tomlinson. New York: Columbia UP, 1983.
 

 

Deleuze, Gilles and Felix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: U of Minn P, 1983.
 

 
Deleuze, Gilles and Félix Guattari. Nomadology: the War Machine. Trans. Brian Masumi. New York: Semiotext(e), 1986.
 
 
De Man, Paul. “Resistance to Theory.” 1982. Davis and Schleifer 93-108.

 

 

De Man, Paul. “The Rhetoric of Temporality.” Interpretation: Theory and Practice. Ed. C. Singleton. Baltimore: Johns  Hopkins UP,1969. 173-210.

 

 

Derrida, Jacques. Of Grammatology. Trans. Gayatri Spivak. Baltimore: Johns Hopkins UP. 1968.
 

 

Derrida, Jacques. Of Spirit: Heidegger and the Question. Trans. Geoffrey Bennington and Rachel Bowlby. Chicago: U of Chicago P, 1989.
 

 

Derrida "Freud and the Scene of Writing" Writing and Difference. Chicago: U of Chicago P,  1978.
 

 

Derrida The Post Card Chicago : U of Chicago P, 1987.

 

 

Derrida, Jacques. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. New York: Routledge, 1994.
 

 

Derrida, Jacques. Le Voix et le Phénomène

 

 

Descartes, Rene. Discourse on Method. Trans. Laurence J. Lafleur. New York: Macmillan, 1950.
 

 

Desmonde, William Herbert. Magic, Myth, And Money;  The Origin Of Money In Religious Ritual. New York: Free Press of Glencoe, 1962.
 

 

Dinshaw, Kate. Chaucer’s Sexual Poetics.
 

 

(Pseudo) Dionysius the Areopagite. On Mystical Theology to Timothy. Trans. Paul Vincent Spade Indiana U. from (Paris: J.P. Migne, 1857), pg. 3 cols. 997-1048.
 

 

Dollimore, Jonathan. “Shakespeare, Cultural Materialism and the New Historicism.” Dollimore and Sinfield 2-17.
 

 

Dollimore Jonathan and Alan Sinfield, eds. Political Shakespeare: Essays in Cultural Materialism. 2nd ed. Manchester: Manchester UP, 1994.
 

 
 

Driver, Tom E. The Sense of History in Greek and Shakespearean Drama. New York: Columbia UP, 1960
 

 

Dubois, P. Torture and Truth. New York: Routledge, 1991.
 

 

Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England c.1400-c.1580. New Haven: Yale UP, 1992.

 

Eagleton, Terry. Ideology: An Introduction. London: Verso, 1991.
 

 

Eagleton, Terry. The 1deology of the Aesthetic. Cambridge: Blackwell, 1990.
 

 

Eagleton, Terry. Literary Theory: an Introduction. 2nd ed. Minneapolis: U of Minnesota P, 1983. ch4 Post-Structuralism (127-150).
 

 

Eamon, William. “Court, Academy, and Printing House.” In ? (25-50).
 

 

Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana UP, 1976.
 

 

Edmundson, Mark. Literature against Philosophy, Plato to Derrida: A Defence of Poetry. New York: Cambridge UP, 1995.
 

 

Edwards, P. Thomas Kyd and Early Elizabethan Tragedy. London: Longman, 1970.
 

 

Egan, Gabriel. "Review of Jean E. Howard and Scott Cutler Shershow, eds, Marxist Shakespeares." Early Modern Literary Studies 7.2 (September, 2001): 15.1-19 <URL: http://purl.oclc.org/emls/07-2/eganrev.htm>.
 

 

Eisenstein, Elizabeth. The Printing Revolution in Early Modern Europe. Cambridge: Cambridge UP, 1983. Pref.; Part I The Emergence of Print Culture/ ch1 An Unacknowledged Revolution; ch2 Defining the Initial Shift; ch3 Some Features (ix-90).
 

 
 

Eliade, Mircea. Cosmos and History: the Myth of the Eternal Return. New York: Harper, 1959.
 

 

Ellis, John M. "The Relevant Context of a Literary Text." The Theory of Literary Criticism: A Logical Analysis. Berkeley: U of California P, 1974. 104-54.
 

 

Ellrodt, Robert. “An Anatomy of ‘The Phoenix and the Turtle.’” Shakespeare Survey 15 (19xx) 99-110.
 

 

Ellrodt, Robert. Neoplatonism in the Poetry of Spenser. Folcroft: Folcroft P, 1969.
 

 
Elsky, Martin. Authorizing Words: Speech, Writing, and Print in the English Renaissance. Ithaca: Cornell UP, 1989.
 
 
Elton, William R. “Shakespeare and the Though of his Age.” Ch2 in ?: Analogy/ Transition/ Dialectic (17-34).
 
 
Elton, W. R. Textual Transmission and Genre of Shakespeare's Troilus. Sonderdruck Literatur als Kritik des Lebens Festschrift zum 65. Heidelberg: Quelle & Meyer. 1975.
 
 
Elton, William R. Various notes on English Renaissance Platonism. Plotinus/ Principal Platonic Poets/ Platonic Lines in English Verse of the Renaissance/ Secondary Treatises on Platonism/ Renaissance Platonism in French Verse.
 
 
Emerson, O. F. “Originality in Old English Poetry.” RES 2:5 (Jan. 1926) 18-31.
 
 

Empson, William. “Some Types of Ambiguity in Shakespeare’s Sonnets” in see Mizener. (124-136) 1rh
 

 

Emsley, Clive. The English Police: A Political and Social History. New York: St. Martin’s, 1991.
 

 

Erasmus. "An Epistle to perswade a yong Gentleman to mariage, deuised by Erasmus, in the behalfe of his freend."
 

 

Eriksen, R. “‘Un certo amoroso martire’: Shakespeare’s ‘The Phoenix and the Turtle’ and Giordano Bruno’s De gli eroici furori.” Cullen and Roche 193-215.
 

 

Eusebius. "Porphyry: Against the Christians." Church History. Nicene and Post-Nicene Fathers Vol I, 2nd Series. Eds. P. Schaff and H. Wace (repr. Grand Rapids MI: Wm. B. Eerdmans, 1955) 265-266.
 

 

Ewbank, Inga-Stina. “The Word in the Theater.” Shakespeare: Man of the Theater. ? (55-75) 5u

 

Fabian, Johannes. Time and the Other: How Anthropology Makes its Object. New York: Columbia UP, 1983.
 

 

Farago, Claire, ed. Reframing the Renaissance: Visual Culture in Europe and Latin America. New Haven: Yale UP, 1995.
 

 

Felman, Shoshana. Jacques Lacan and the Adventure of Insight: Psychoanalysis in Contemporary Culture. Cambridge, Mass. : Harvard U P, 1987.
 

 

Felperin, Howard. "The Dark Lady Identified: or What Deconstruction can do for Shakespeare’s Sonnets." The Uses of the Canon: Elizabethan Literature and Contemporary Theory. Oxford: Clarendon (1990) 56-73.
 

 

Ferguson, Arthur B. Clio Unbound: Perception of the Social and Cultural Past in Renaissance England. Durham: Duke UP, 1979.
 

 
 
 

Fineman, Joel. Shakespeare’s Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets. Berkeley: U of California P, 1986. Intro (1-48) 5rh
 

 

Fish, Stanley. “Interpreting the Variorum.” 1980. Davis and Schleifer 174-190.
 

 

Fletcher, Angus. "Complicity and the Genesis of Shakespearean Dramatic Discourse." Shakespeare Studies 27 (1999) 37.

 

 

Flood, John L. "The Winchester Geese." Rev. of Syphilis in Shakespeare's England, by Johannes Fabricius. Times Literary Supplement 13 Jan. 1995: 12.
 

 

Fontenrose, Joseph Eddy. The Ritual Theory Of Myth. Berkeley: U of California P, 1971. (Folklore studies 18.)
 

 

Forbes, Duncan. Introduction. Hegel Lectures vii-xxxv.
 

 
 

Forster, L. The Icy Fire: Five Studies in European Petrarchism. New York: Cambridge UP, 1969. ch. 4 “The Political Petrarchism of the Virgin Queen."
 

 

Foucault, Michel. Discipline and Punish: the Birth of the Prison. New York: Vintage, 1979. (3-63 Torture; 150-228 Discipline; 229-325 Prison).
 

 

Foucault, Michel. “Intellectuals and Power: a Conversation between Michel Foucault and Gilles Deleuze” in ? (205-217).
 

 

Foucault, Michel. "Nietzsche, Genealogy, History." Language, Counter-memory, Practice: Selected Essays and Interviews. Ed. Donald F. Bouchard. Trans. Bouchard and Sherry Simon. Ithaca: Cornell UP, 1977. 139-64.
 

 

Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. New York: Vintage, 1973.
 

 

Foucault, Michel. Preface. Deleuze and Guattari xi-xxiv.
 

 

Foucault, Michel. “What is an Author?” 1969. Davis and Schleifer 341-53.
 

 
 
Foxe, John. Acts and Monuments. Vol. 5. NY: AMS, 1965.
 

 

Frazer, J. G. trans. Appendix. Fasti. Ovid in Six Volumes V. Loeb Classical Library 253. Cambridge: Harvard UP, 1976.
 

 

Frazer, J. G. The Magic Art and the Evolution of Kings. Vol 2. NY: St. Martin’s, 1966.